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Growing up successful Compton, Anthony Lee Pittman looked astir astatine nan paintings during Mass and ne'er saw immoderate Black aliases brownish angels. It’s an absence that ne'er near him. The deficiency of practice contradicted what he knew to beryllium true: Holiness besides resides successful Black and brownish people. The acquisition galvanized his art, and from his palette, he’s crafted nan divinity he ever knew existed — a condemnation that came from nan colony of women who raised him, particularly his grandmother, who ne'er made him consciousness thing little than divine.
Pittman is among a activity of ocular artists successful Compton who are filling nan vicinity spaces pinch activity that reflects nan city’s productivity and complexity, from nan awesome rebuild underway astatine Centennial High School, to nan caller performing arts halfway astatine Compton High School and creator Mr. Wash’s plans for a $15-million arts center. On nan ground, it feels like a section renaissance. Take a thrust done Compton and you’ll brushwood Pittman’s work: murals astatine Gonzales Park, A New Beginning Resource Center, Compton High School, and drawings crossed inferior boxes on Compton Boulevard and Douglas Dollarhide Drive. He besides has paintings and sketches that capable his studio. One of his acrylic paintings, featuring 2 angels soaring supra nan Rev. Martin Luther King Jr. monument, now anchors a larger assemblage of work, “Los Angelitos.” The title itself is simply a play connected Los Angeles and “Angelitos Negros,” nan poem later popularized done recordings by artists including Eartha Kitt, Roberta Flack and Celia Cruz. Black souls besides spell to heaven.
The first mural successful Pittman’s “Los Angelitos” task features 5 angels painted connected nan wall extracurricular Patria Coffee Roasters, facing Wilson Park. “Many of my projects tin beryllium traced backmost to this space,” he told me, citing nan respective cups of java he’s shared location pinch collaborators and curators from spaces for illustration Compton Museum and Color Compton. For early murals, Pittman will proceed to sojourn churches, museums and taste sites successful cities crossed nan U.S. and Europe pinch predominantly Black populations “to deepen his knowing of nan belief scenery and nan improvement of thoroughfare creation and municipality culture.”
When I met Pittman astatine nan mural, group gathered astatine nan parkland began to make their measurement complete to interact pinch us. What stayed pinch maine wasn’t conscionable their curiosity but nan measurement they looked retired for america while we were there. Their beingness felt for illustration a stamp of support to support pouring into a organization they emotion too. Together we looked astatine nan mural, each angel holding a ribbon base nan sanction of a metropolis that catalyzed Pittman’s life and travel arsenic an artist: Compton, Watts, Southeast Los Angeles, Inglewood and South Central, because to him, each hood is sacred.
Reflecting connected my childhood, I tin spot productivity woven into my family. I travel from a Black begetter and a Mexican mother, truthful I was enveloped by some cultures. I callback my dada besides being a bully artist, though he didn’t prosecute it arsenic a career. One portion I retrieve was his re-creation of nan Stevie Wonder medium screen for “Hotter than July.” On my mom’s side, artistry besides revealed itself successful different ways. My grandma made vacation decorations for nan house, and my grandfather worked pinch leather, making jackets and boots. I was surrounded by group who knew really to create pinch their hands.
In mediate school, I took my first creation people pinch Mr. Aguilera, who taught maine nan fundamentals and paved nan measurement for maine to study creation astatine an elevated level successful precocious school. I retrieve stepping location from Compton High carrying my paintings erstwhile I ran into him. I had conscionable vanished a image of Dorothy Dandridge, and he bought it correct connected nan spot, making it my first commission. It was besides nan first colour image I had ever painted, and it reassured maine I had a gift.
Over nan past decade, I’ve gone done a batch of self-discovery, some successful my personality and successful my art. The guidance I wanted to turn successful arsenic an creator became apparent. Being Black and Mexican is simply a blessing, but it besides comes pinch an soul struggle. For a agelong time, I felt for illustration I had to take 1 aliases nan other. This emotion came from different places, including immoderate members of my family, nine and creation spaces. As overmuch arsenic I was expected to fresh into a azygous identity, location was nary measurement I could shrink 1 portion of myself erstwhile some of my experiences are arsenic valid.
Within those 10 years of exploration, I had nan grant of connecting pinch much Afro-Latinos from Compton. Meeting chap creatives who looked for illustration maine gave maine a consciousness of validation, mirroring what Celia Cruz did for maine successful adolescence. Seeing an Afro-Latina female pinch a darker tegument complexion execute specified a level of occurrence was nan practice I needed. As I continued to turn into myself, nan creation followed me. My personality and my creation are parallel, not separate. It inevitably became nan ground for what I wanted to paint.
I create figures who look for illustration maine and bespeak my belief background. As a society, we’ve been surrounded by European depictions of saints, angels and different ineffable figures for generations. I want Black angels to beryllium wrong nan aforesaid belief realm. Naturally, my pieces led maine toward creating for nan community. It would consciousness disingenuous to make creation that’s unattainable to nan very organization who inspires it. We merit to locomotion done neighborhoods and acquisition beauty too, and nan group who person ever called it location should not beryllium priced retired of being capable to acquisition it owed to gentrification.
“Los Angelitos” is maine evolving my process without changing nan bosom of my practice. I’ve been experimenting pinch thoroughfare art, incorporating wheat-pasting because it feels existent to wherever I’m from and nan communities I create for. For this mural, I spent 5 days coating connected site, while nan angels themselves took astir 2 weeks to complete successful my studio. If you look intimately astatine nan mural’s landscape, you’ll spot snowy mountains for illustration those successful “The Mission of San Gabriel, Alta California successful May 1832” by Ferdinand Deppe — 1 of California’s oldest paintings depicting a mission, a spot wherever Indigenous group were stripped of their onshore and culture. By utilizing only portion of nan original coating and omitting nan mission, I’m reclaiming abstraction for Black and brownish spirituality while acknowledging that this onshore existed agelong earlier colonization.
The emotion I sewage from nan OGs successful nan organization while I was coating reminded maine of why I do what I do. They instantly noticed nan angels were Black, which brought everything backmost to nan project’s purpose. One man moreover told me, “I didn’t cognize brothas get down for illustration this. Black men could overgarment worldly for illustration this.” There was truthful overmuch curiosity surrounding nan mural, and group kept stopping to inquire maine questions. I honestly expected immoderate antagonistic comments aliases it to beryllium perceived arsenic “soft,” but I ne'er sewage either.
It’s a privilege to unrecorded retired my creator look connected nan aforesaid streets arsenic artists earlier me, for illustration Elliott Pinkney, John Outterbridge, Charles White and Richard Wyatt Jr. I dream nan world originates to admit Compton has fixed america much than conscionable rap music. Its taste power is multifaceted and should beryllium recognized.
Krysta Hawkins is simply a writer from Moreno Valley whose activity focuses connected civilization and music.
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